Non-Cartesian Cinema

Imagine a simple x,y grid. The origin of this grid would be (0,0). An origin such as this is a datum: all points on the grid are determined from this point. This is a Cartesian coordinate system. Rene Descartes was influential in developing it. Cartesian grids like these define how we plan architectural space and are instrumental in how buildings are made.

This project speculatively investigates the relevance of Cartesians grids as a system of architectural space. Specifically, the project translates cartesian coordinates to coordinative definitions that are more relevant to the content they describe.. The spatial subject in question is Michael Mann’s film ‘Heat’ (an LA saga resonating with isolated and introverted characters), chosen for its tight relationship between spatial/urban fabric and character development. 

The film’s spatial coordinates are highly identifiable within the plot. A cartesian datum is that of (0,0). A spatial datum, however, could be that of an abrupt body gesture, pivot of the head, perfectly placed handrail, etc. The (0,0) datum/a of the film are translated through drawings and models into these more specific spatial datum/a, in an attempt to arrange the film into a more narratively relevant set of scenes. A set of scenes not represented through the generic Cartesian system, but instead represented spatially; placing an onus on the characters, plots, and cinematic geography. An alternative film emerges; new scenes present themselves as these translations.